Song Were Going Party Like Its 1984 Again
The 100 best party songs ever fabricated
Put the best political party songs on your celebration playlist and yous're guaranteed a body-moving dance explosion
We didn't realise quite how much we missed parties until we were able to have them once again. Seriously, is there a better feeling in the entire earth than dancing in a club – or your kitchen – with a load of people who are also ready to lose information technology when they hear 'Similar a Prayer' or 'Wannabe' or 'I Wanna Dance with Somebody (Who Loves Me)'? If you lot want everyone at your party to join in, you have to err on the side of familiarity: if none of your guests will know a vocal, it doesn't make it onto the playlist. End of.
Then, yous go the snacks, we'll bring the hot tracks: this playlist of classic political party tunes is certain to get everyone moving in an explosion of joyful, fevered dancing. There are some pop favourites, a few karaoke classics, and some all-round happy songs. The beats are nonstop and the grooves are infectious. Hit play on these bangers and yous're guaranteed to get in the party mood wherever you are.
Heed to these songs on Amazon Music
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All-time party songs of all time
1. 'Like a Prayer' by Madonna
A truly great political party has to take drama, and who better to provide this than the Queen of Pop, Madonna. Indeed, there was drama around 'Like a Prayer' even before the single came out in 1989—think that Pepsi ad campaign? And and then there's the song itself: jags of electric guitar followed by a huge, cavernous drum thwack. A waft of angelic choir singing. And then: 'Life is a mystery / Everyone must stand alone / I hear you telephone call my name / And it feels like…'—look for it—'Dwelling.' And lo, the drumbeat kicks in and we're thrust correct into the chorus.
'Similar a Prayer' is a crazy, outlandish, imaginative, absurd song, which makes its success as a dance-floor filler all the more ridiculous and wonderful. Add in a dollop of worldwide scandal, objections from the Vatican and the sickest gospel coda ever to characteristic in a pop song—and you have the greatest party song ever recorded. Ladies and gentlemen, we thank you.
two. '1999' by Prince
'If you lot didn't come to political party, don't bother knockin' on my door,' the atomic Minneapolis genius declared in one of the earliest blockbuster hits of his purple reign. Like Orwell's 1984 and Kubrick's 2001, Prince's '1999' is less a sell-past date than a declarative prediction made timeless by persuasive art. Information technology isn't possible to political party similar it's 1999 every unmarried time – hey, we're only human being – merely this vocal will get even the dullest wedding disco popping.
three. 'Single Ladies (Put a Ring on It)' by Beyoncé
If you weren't already a member of the Beyhive, this 1 surely got you lot hooked. It's an anthem for unmarried ladies everywhere, yep, but an infectious dance number for all. Come on, who can resist that chorus or trying to copy those Fosse-inspired trip the light fantastic toe moves? This song has '...one of the best videos of all time' according to Kanye W, and pretty much everyone else too.
4. 'Gonna Make You Sweat' past C+C Music Factory
'Everybody, trip the light fantastic now!' So goes this song'southward yelled refrain, and we'll wager yous'll accept a hard fourth dimension not shaking what your mama gave you when the beat out kicks in. Masterminded by American product duo C+C Music Manufacturing plant (David Cole and Robert Clivillés), 'Gonna Brand Y'all Sweat' paved the mode for a slew of chart-friendly house hits in the early on '90s, and made wearing cycling shorts okay. Rejoice!
v. 'Call Me Maybe' past Carly Rae Jepsen
For anyone who's always relished the delicious longing of a summertime crush (that's all of you, and so), Canadian popstrel Carly Rae Jepsen crowned summer 2012 with this perfect pop anthem. The song inspired parody covers from Justin Bieber (who 'discovered' the runway), Katy Perry and the U.S. Olympic Swim Team, amongst most a billion others.
vi. 'Hey Ya!' by OutKast
OutKast'due south futurity seemed uncertain in 2003 when the acclaimed Georgia duo of André 3000 and Big Boi announced the release of 'Speakerboxxx/The Love Below'—less a new grouping anthology than a pair of conjoined-twin solo sets, with each member making token appearances on the other's disc. But critics were silenced by the irresistible unmarried 'Hey Ya!' A limber funk bassline, a manus-clapping refrain and a simple, unforgettable chorus made this André 3000 vehicle dance-floor catnip, even before yous saw the deliciously daffy music video.
7. 'Poison' by Bell Biv DeVoe
Bop bop-bedop bop-bedop-bedop pow! If in that location'south a more than indelible drum sample than that one that leads off this 1990 marvel, we've nevertheless to hear information technology. The melody that follows is a clinic in new-jack-swing excellence, a classic caveat-emptor tale concerning an irresistible femme fatale ('cutting', as it were, 'like an Afro'), ready to a staccato shuffle beat and crowned with that heavenly Ricky Bell hook. Aye, pure dance-floor venom.
eight. 'Rock with Y'all' past Michael Jackson
MJ's hits grew increasingly hard-edged as he entered the 'Bad' zone, but earlier triumphs—like this 'Off the Wall' masterpiece—still feel most impossibly cushy, like easing onto the plushest sofa imaginable. It's a prophylactic bet that Daft Punk had the ultra-luxurious disco groove of 'Stone with You' in mind when they crafted 'Become Lucky': strings, horns that perfectly calibrated tempo and those irresistible come up-ons from the future Male monarch of Pop. This 1 is pure class.
ix. 'Push It' past Salt-N-Pepa
You lot're not just encouraged to trip the light fantastic during this jam, one of the all-female rap crew's commencement and biggest hits; you're actually ordered to hit the dance floor and work upward a sweat. Given the vocal's thumping beats, it'due south pretty much incommunicable to ignore that request. (We'll ignore the ruling from Hurby 'Luv Bug' Azor, who guests on the vocal, that pushing it is 'only [for] the sexy people.')
10. 'Party Rock Canticle' past LMFAO
In that location's something cute about the purity of EDM-rap duo LMFAO's music. Words like 'witting' or 'progressive' or 'future' do not apply here – at all. They have fun. You take fun. We all accept fun. This vocal hinges on the phrase 'Every day I'm shufflin,' for Christ's sake. Don't overthink it. Relax, heighten a glass, and heed their asking to 'just accept a good fourth dimension.' Australia certainly did: there, it'south the eighth best-selling song of all fourth dimension.
11. 'Uptown Funk' past Marker Ronson ft. Bruno Mars
How many times can you listen to this song before information technology gets old? Information technology never does. This collaboration betwixt Bruno Mars and Mark Ronson was their quaternary, and it took off like wildfire. It continues to set up trip the light fantastic toe floors ablaze with its funky grooves, putting everyone in the mood to dance – and channel 'Michelle Pfeiffer / That white gold'.
12. 'Groove Is in the Heart' by Deee-Low-cal
In this tale of the anything-is-possible Due east Village of the late '80s, a trio of candy-coloured order kids—Super DJ Dmitri, Lady Miss Kier and Towa Tei—make up one's mind to form a band. The threesome (with a little help from ringers Q-Tip, Maceo Parker and Bootsy Collins) come up with 'Groove Is in the Heart', a sweetly innocent percolator of a tune that, against all odds, becomes the worldwide club smash of 1990. True story!
13. 'Got to Be Real' by Cheryl Lynn
The opening horn riff of Cheryl Lynn's first and best-known single is and so certain to trigger a alluvion of dopamine in your brain, it could rightly be described every bit Pavlovian. What follows is a headlong autumn into disco sky—one that no i was in a hurry to become upward from: The tune reappeared on the U.G. Singles Chart in 2010, more than xxx years afterward its release. It'south also been embraced as a bona fide – and utterly joyous – LGBTQ+ anthem.
14. 'Wake Me Upward Before Y'all Become-Go' by Wham!
Some parties are cool. Some have gimmicks. Some mark a special occasion. Merely the very all-time parties have a feeling of unbridled joy to them, and this 1984 hit from Wham! is a 100% proof distillation of the smiley stuff. It is, of course, utterly ridiculous, from the opening 'Jitterbug!' intro, to George Michael'due south white trousers and 'Choose Life' T-shirt combo in the video. But sugariness Lord, those loftier notes, the slap bass and that brass breakdown! Too good.
15. 'Gangnam Style' by Psy
The least likely runaway smash of all time? With a video that's now racked upwardly more than four billion views, Psy is without question a juggernaut-size quirk complete with his natty couture and pony-gallop signature trip the light fantastic toe. Still, he could hardly fail with this song's thumping shell and 'hey, sexy lady' refrain. But brilliant.
sixteen. 'The Power' by Snap!
'The Ability' might exist most famous every bit a snippet in service of jock jams, only the melody is a force: It's a paranoid, rushing affair, anchored by the appropriately named American emcee Turbo B. His rhymes just have the silver when compared to Jackie Harris'south cries of 'I've got the ability!' Nostalgic, yes, just notwithstanding alive enough to go the crowd ultra-pumped. Oh snap!
17. "Pump Up the Jam" by Technotronic
Incessant utilize of the word booty, a driven four-on-the–floor drumbeat and a psychedelic music video featuring divas in neon spandex suits spinning like propellers. Information technology's no wonder "Pump Upwardly the Jam" became a massive hit in 1989, pretty much boot-starting the mainstream hip-house movement. Who could resist those insouciant vocals (supposedly uttered past Congolese model Felly Kilingi), littered with slang phrases that you haven't heard in at least 15 years? Also notation: Pump up the jam became a slang term for masturbation in Flemish. The more you know, people.
18. 'U Tin can't Touch This' by MC Hammer
If you want to turn your ego-boosting novelty tune into a dance-flooring sensation, you tin can do far worse than to start with an already-proven funk boom like Rick James's 'Super Freak' as your bankroll track like Stanley Kirk Burrell did. The official video seals the deal: Even Hammer's amorphous trousers scream conviction.
nineteen. 'Babe Got Back' by Sir Mix-a-Lot
Pure comedic genius isn't exactly what comes to mind when thinking about early '90s rap, but controversy certain is. Sir Mix-a-Lot's dear letter to round behinds was—to the Tipper Gore crowd—super sexual filth. But it'south a subversive, tongue-in-cheek ship-upwards of the hip-hop lifestyle: a Blackness man's counterpart to Spinal Tap'south 'Big Bottom.' It was fifty-fifty prescient: How many 'serious' rap videos followed with tight shots of the bottom half of curvy ladies? Almost have a favourite line from the cut, Mix-a-Lot's euphemisms and analogies rolling off the line similar the Barbies he laments. 'Baby Got Back' was the second all-time-selling song of 1992. The No. 1 slot went to quite a unlike brandish of amorous intentions: Whitney Houston'southward 'I Will Always Dear You lot.'
xx. 'Relax' by Frankie Goes to Hollywood
Frankie's 1983 debut single didn't just spawn an iconic T-shirt – it also became one of the decade's near transcendent club hits. Virtually twoscore years afterward, it remains a hypnotically potent combination of Hi-NRG trip the light fantastic-pop and swaggering disco-stone that hits the spot whether you realise Holly Johnson is singing about gay sexual activity or not. Information technology'south a banger that adds bite to whatsoever party.
21. 'I Dearest Information technology' by Icona Pop
Though information technology was a sweaty, coke-fuelled, boobs-flying-every-which-mode scene on Lena Dunham'sGirls that bulldozed the Swedish duo's synthed-up jam to the top of the charts, information technology's been a dance-floor starter since its release in early 2012. Creepo it up and shout, 'I crashed my car into the bridge / I don't care!' at the top of your lungs for ultimate DGAF revelry.
22. 'Buss' by Prince
The omnisexual twirls and splits Prince busts in the official video for this sleek 1986 jam might catechumen the most hardened disbeliever, simply honestly, he had us at the tingly guitar licks, the tighter-than-a-duck's-ass shell and the instantly memorable chorus: 'You don't have to be rich to exist my daughter / You don't accept to exist cool to rule my earth.' Yous don't believe him, of class—but you want to.
23. 'Dancing With Myself' by Billy Idol
This vocal was originally written and recorded by Generation 10, the punk foursome fronted by Baton Idol, before he remixed and re-released the runway as a solo effort in 1981. It was a smart move, because nada is quite so foolproof as a vocal about dancing lone (From Robyn to Whitney, information technology'southward pretty much a power-pop lay-up.) After all, in that location's not one among us who hasn't felt the ache of loneliness on the trip the light fantastic toe floor. Thankfully, with a song as universally honey as this, it's pretty well guaranteed you lot'll never fly solo.
24. 'California Love' by 2pac
Only out of prison and newly signed to Decease Row Records, California rapper 2pac was in demand of a comeback hitting, and he found one in 'California Beloved'. Produced by West Coast beat overlord Dr. Dre, it was 1 of the nearly successful songs of 2pac'south career, and left no doubt in anyone's mind that California virtually certainly knew how to party.
25. 'Milkshake It Off' past Taylor Swift
Taylor speaks words of gleaming truth on this 2014 nail, which suggests the best manner of dealing with life'southward haters is to permit loose on the trip the light fantastic flooring. 'It'south like I got this music in my heed /Sayin' it'south gonna be alright,' she sings on the pre-chorus, and when this absolute bop comes on, you'll experience exactly the same.
26. 'Tik Tok' past Ke$ha
If you demand to rev up the dance political party, wait no further than the blonde popular queen's debut single. On this 2009 banger, Ke$ha's agenda is uncomplicated and straightforward: Get ready with the girls, mingle with the dudes, pound the Jack Daniels, don't sleep until the sun comes upward. Rage on, yo.
27. 'Yeah' by Usher
This may exist an Usher song, just it bears the unmistakable mark of inimitable Southern rap don Lil Jon. And non just because the hook hinges on one of Jon'southward signature outbursts; he besides produced the runway, crafting a seamless alloy of crunk and R&B that came to be known as "crunk&b." Velvet-voiced rhymesmith Ludacris also lends a poesy, cementing this tune's condition as an eternal party starter.
28. 'Hella Good' by No Doubt
Gwen Stefani dropped her go-to quirky and emo poses on this i, in the procedure outing herself equally a seriously badass dance-flooring commando. It didn't hurt that she got a writing assist from Neptunes' Pharrell Williams and Chad Hugo, or that the band chose to lead off with a spiffy homage to the ever-deadly 'Billie Jean' trounce. You'll detect snarly guitars, a bangin' pulsate fill or ii, and other subtle nods to No Uncertainty's alt-stone pedigree, just in the terminate, this is simply an early-aughts update on what the Parliament coiffure liked to phone call 'uncut funk'. And that's why information technology nevertheless slaps.
29. 'SexyBack' by Justin Timberlake
'I'm bringing sexy back', old Mouseketeer and boy-band escapee Justin Timberlake declares at the beginning of his 2006 single, making the instance that he'd grown upward more than bluntly than a you-know-what in a box. Add together Timbaland's slinky groove to Timberlake's come up-here 'tude, and your post-trip the light fantastic-floor destiny is unquestionably horizontal.
30. 'Oh Yeah' by Yello
How practise you plow a half-dozen-yr-old Swiss cult act into an overnight awareness? Add together Matthew Broderick, obviously. 'Oh Yes'—with its altered vocals and driving pulse—wasn't so unlike from enough of previous singles by this oddball electronica duo, but when it was cleverly used in John Hughes's 1986 comic masterpiece, Ferris Bueller's Day Off, it became ubiquitous.
31. 'Nasty' by Janet Jackson
'I could learn to like this', Janet Jackson announces over the hammer-blow beat of the 2d single from 1986's 'Command', a announcement of independence and mental attitude. 'Who's jammin' to my nasty groove?' she demands while stomping and twisting through Paula Abdul's choreography in the video. Nosotros all are, Miss Jackson, nosotros all are... even 36 years later.
32. 'Bulletproof' by La Roux
One of the biggest hits of 2009 was an unexpected one: the 3rd single from the British duo'southward eponymous debut anthology. Undeniably tricky and fun, 'Bulletproof' bathes in a cross-appeal bolstered by singer Elly Jackson'south swagger-laden vocals and 1980s pop-synth muscle. When it'southward on, dancing is non optional.
33. 'Just Trip the light fantastic' past Lady Gaga
No list of party songs would be complete without a head nod to the woman who redefined trip the light fantastic-popular music in the tardily aughts. Dance parties just weren't the same before Lady Gaga took the music industry by storm with 'Merely Dance', the debut single off of 2008'south 'The Fame'. Reportedly written in simply 10 minutes, 'But Dance' captures that perfect mix of innocence and craziness that makes people want to cut loose and dive into the madness of the dance floor.
34. 'Hips Don't Prevarication' by Shakira
From its opening bars, this 2006 jam gets it right, appropriately heralding the entrance of Colombian popular royalty with a fanfare of trumpets. Few are able to meld a savvy hook and a globally-influenced beat every bit seamlessly as Shakira, which she does here with a salsa sample, a reggaeton pulse and a bilingual aid from Wyclef.
35. 'California Gurls' past Katy Perry
Katy Perry and Snoop Dogg'due south 2010 megahit reaffirms the indisputable truth established past Tupac in the mid-'90s with 'California Love': 'California… knows how to party.' Yeah, every bit the frosting-expelling pop star confirms in this ode to summer fun, the Golden Country is the all-time place for bikinis, beaches and blistering in the sunshine. But its brash beat would whip a dance flooring into frenzied energy anywhere in the world.
36. 'Nosotros Found Love' by Rihanna
A collaboration between Scottish electro house kingpin Calvin Harris and pop superstar Rihanna, "We Institute Dearest" is a perfect storm of massive club sounds and soaring pop hooks. An irrepressible alloy of euphoria and despair, the melody sat atop the Billboard Hot 100 for x not-consecutive weeks, establishing it as RiRi'due south longest running number-one single.
37. '(You Gotta) Fight For Your Right (To Party)' by Beastie Boys
The Beastie Boys' breakout striking was originally meant to poke fun at the drunk antics of meathead political party boys, but it ultimately became 1 of the outfit's best-known anthems. Given the song'south expert alloy of brazen, juvenile raps and chunky guitar riffs, it's not hard to see why. Although, years later, Adam Yauch, a.k.a. MCA, famously cautioned, 'Be conscientious of what you make fun of or you might become it.'
38. 'Trap Queen' by Fetty Wap
The music industry took a minute to catch wind of Fetty's earworm-motorcar potential, merely one time net virality took concur a year afterwards the original release of 'Trap Queen', the rise was zilch brusk of meteoric. This sensitive and soft-hearted dear song has quickly turned into a quintessential summer archetype—no (trap)business firm party is complete without it.
39. 'Stayin' Alive' by Bee Gees
No matter how late it gets, what better manner to proceed the party going than the supremely uncool cool of the Bee Gees? With that ultra-funky bassline and the Gibb brothers' falsetto harmonisation, the magnetism of 'Stayin' Alive' will brand any party feel like the golden historic period of Studio 54. Then pop open that superlative button and grit off your disco moves equally yous surrender to the groove.
xl. 'Let'south Go Information technology Started' by The Blackness Eyed Peas
'Nosotros got five minutes for u.s. to disconnect / From all intellect / Collect the rhythm event.' Volition.i.am's opening lyrics pretty much sum up the sentiment of the Blackness Eyed Peas' striking single, taken from their 2003 album 'Elephunk'. 'Let'due south Get It Started' is a pure and simple party alarm, letting folks know it's time to get up and moving.
41. 'Beat It' by Michael Jackson
Few songs are every bit immediately recognisable equally Michael Jackson'southward 1983 smash 'Beat It'. Those haunting opening synth hits are but dissonant plenty to put the listener on edge, baiting them to stay with it, like the entrance music for a professional wrestler. Then that driving guitar riff comes in like an uppercut to the jaw, followed past MJ's opening line, 'They told him don't yous ever come effectually here / Don't wanna come across your face, you improve disappear.' 'Beat It' has a unique aggression that not only triggers those primal, competitive instincts, just likewise makes yous want to trip the light fantastic toe your donkey off and sing at the top of your lungs.
42. 'What'd I Say' by Ray Charles
Yeah, yeah, information technology's over fifty years former and your grandparents might've made out to information technology. Merely good gosh if this isn't one of the sexiest, wildest songs on this list. It starts out pretty civilised, with that unmistakable keyboard intro, and lickety-split cymbal beats. Then Ray starts singing about lovin' you all dark long with wicked intent, the brass starts up, the backing singers join in, and you have one hot, fine mess.
43. 'Limited Yourself' by Madonna
No song captures the essence of Madonna'southward iconography quite similar 'Limited Yourself', a girl-power pep talk delivered in an amped-up version of funky 1970s soul. Its unprecedentedly lavish video—directed by a pre-Seven David Fincher in an appropriately Expressionist mode—embodies Madonna'southward defining persona every bit a fiercely sexual chameleon. One minute she's the boss lady in a power suit and a monocle, grabbing her crotch like a butcher version of Michael Jackson; the next, she'south itch on all fours and lapping a bowl of milk. Even when she's literally in chains, neither the video nor the singer leaves any doubt as to who'south in accuse.
44. 'Get Lucky' by Daft Punk
This hugely anticipated (not to mention hyped) comeback single from Daft Punk became the summer anthem of 2013. 'Go Lucky' finds the French duo switching its modus operandi from referencing classic disco music to really creating it: The unmarried features (and was co-written past) Chic star and producer Nile Rodgers, and hip-hop mastermind Pharrell Williams—who, you lot may be interested to know, heard about the project from Daft Punk at a Madonna party.
45. 'Rehab' by Amy Winehouse
This 2006 unmarried found the tardily, great British soul vocaliser Amy Winehouse at the pinnacle of her talents, even as she sang about the depths of her despair. For her 'Back to Blackness' album, producer Mark Ronson teamed Winehouse with Brooklyn funk musicians the Dap-Kings, resulting in songs that are as groovy equally they are dark. 'Rehab' became Winehouse's signature single, finding the iconic singer defiant to the finish.
46. 'Celebration' by Kool and the Gang
Every bit long as the good times keep going, so will the political party, and nothing lights upward a dance floor quite like a niggling disco (mirror brawl included). So find yourself a drink and a partner—or rather, bring your laughter, too—and toast the good times with this 1980 megahit.
47. 'Requite Up the Funk' by Parliament
Where to start among the booty-bumpers and rump-shakers bequeathed upon a grateful nation by Parliament-Funkadelic acid-funk overlord George 'Uncle Jam' Clinton? 'Flash Low-cal', 'Bop Gun', 'One Nation Under a Groove'—we're spoiled for choice. This laid-back cut gets the nod for its mantralike vocals: When 'we want the funk' rubs against 'turn this mother out', the result is groove nirvana.
48. 'Own't Too Proud to Beg' past the Temptations
We're don't desire her to go out either, dudes. The Temptations' 1966 Motown staple boasts a two-chord chorus that's ridiculously snapworthy. And David Ruffins's tortured-nevertheless-sweet atomic number 82-vocal verses are perfectly suited for drunken sing-alongs.
49. 'Practice You lot Love Me' by the Contours
Ah, the sweetness ecstasy of raw '60s soul music, as perfected on this 1962 hit, written and produced by Motown mastermind Berry Gordy. In that location are then many things to honey, from the spoken-word intro—'You bankrupt my heart / 'Crusade I couldn't trip the light fantastic toe'—to the explosive groove that hits as our narrator shows off his newfound dance-floor destroying skills: 'I tin can mashed potato! I can do the twist! Now tell me baby, exercise you like information technology like this?' You lot want more than? How almost a false ending and surprise return? And of course, the song features in Dirty Dancing; 'Do You Love Me' is the number that's playing when Baby carries a watermelon across a writhing trip the light fantastic toe flooring. Writhe on, kids!
fifty. 'I Got You (I Feel Skillful)' past James Brown
James Brownish may non accept had the near graceful offstage persona, merely the hardest working man in showbiz was a one-man party-starter. 'I Feel Good' is dance-flooring dynamite, with its tight, funky groove, grin-inducing chorus and that killer saxophone riff by Maceo Parker. Boom!
51. 'Tightrope' by Janelle Monáe
Similar Prince before her and Bruno Mars before long afterwards, Janelle Monáe showed that she'd taken the lessons of James Chocolate-brown to heart: non just with the piled-high pompadour, but with the minimalist beat, sassy brass, urgent bassline and, more than than anything, the positively hypnotic urgency of her monotone verses on this 2010 R&B banger. Truly euphoric stuff.
52. 'Super Bass' by Nicki Minaj
Nicki was turning heads with riotous rhymes for a few years before 'Super Bass', but this was the track where she proved that her pop instincts were as precipitous as her osculation-offs. The genius of the song is the fashion it combines Minaj's signature loose-cannon loopiness—dig that sudden lapse into a cheesy British accent, or the 'Yes, I did; yep, I did' refrain—with a smashingly bubblegum chorus. Nicki, you've withal got our heartbeats running abroad.
53. 'Hot Girl Summertime' by Megan Thee Stallion
What's a hot girl summer? Well, regardless of the season, it's nearly doing your thing and not caring what other people think. Megan Thee Stallion and her 2019 summer anthem embody that ideal. She brings the rut, and this vocal will make you want to just take a good time and non give a damn. Put on this track and anybody tin can feel like the life of the political party.
54. 'Golden Digger' by Kanye West feat. Jamie Foxx
Nosotros want prenup! Information technology's a attestation to the sheer infectiousness of the biggest hit from Ye'south classic 'Late Registration' album that this funny, whip-smart and completely unromantic song was a staple at hymeneals receptions in the mid-aughts. Seventeen years after it dropped in 2005, it remains absolutely blistering.
55. 'Mo Money Mo Issues' by the Notorious B.I.K.
Life didn't imitate, but rather predated, art when Brooklyn rap maestro the Notorious B.I.Thousand. was gunned downwards months before the release of his No. 1 nail, 'Mo Money Mo Problems'. Brushing aside the bluster, bravado and East-W feudin' that led to his untimely demise, we choose to focus on this undeniable fact: Large Poppa always got the party poppin'. On 'Mo Money Mo Problema' he is ably assisted past 'Harlem World' rapper Mase and ubiquitous hype human Puff Daddy (in the days before Diddy), but information technology's all prologue to Biggie's verse. And when Poppa implores united states of america, 'Throw your rollies in the heaven / Moving ridge 'em side to side,' his ability to unite the world nether ane outrageous all-night bacchanal becomes clear: We all—freaks and geeks, jocks and hipsters, suits and slackers, New Yorkers and Angelenos—know what to do.
56. 'In Da Club' past 50 Cent
Somewhen, every teenager reaches the historic period of feeling likewise cool to sing 'Happy Birthday' on his or her large mean solar day. In 2003, fifty Cent filled the natal-celebration void with 'In Da Lodge'. The at present-iconic opening poetry, 'Get shorty / It's your altogether / We gonna political party like it'south your birthday' makes "In Da Club" an obvious choice for any party that serves shots instead of fizzy drinks.
57. 'O.P.P.' past Naughty by Nature
Naughty by Nature'south hits have go a scrap of an inside joke equally of late, babyhood memories of repetitively watching Hip Hop Hooray on MTV surging back into contemporary existence. Merely 'O.P.P.' isn't merely irony catnip for thirtysomethings: It'due south a fantastic hip-hop song, complete with a Jackson 5–sampled claw and ribald insinuations. (If you weren't hip to the New Bailiwick of jersey crew's inferences back in the twenty-four hour period, surely the moans in the background tipped you lot off.) Arm me with harmony.
58. 'Thong Song' by Sisqo
No one can be held responsible for what transpires in the four minutes later the opening cord melody of Sisqo's breakout unmarried 'Thong Song'. Released in 2000, the ditty received multiple Grammy nominations and effectively launched the R&B crooner's solo career. For a vocal well-nigh underwear that contains the lyric 'she had dumps like a truck', that'south pretty impressive.
59. 'Higher Footing' by TNGHT
Even after its brusk-lived heyday, TNGHT remains one of electronic music's most stiff recent matchups. Bass luminary Lunice's club-rattling beats brand a viciously ferocious pairing with the recklessly maximalist synth-frenzy of Kanye-affiliated producer Hudson Mohawke. The single which launched them to trap-mainstay-status consists of just a few elements (a looping vocal sample, seismic 808 drums, and a stomping horn riff) but together they can make a party sound undoubtedly enormous.
60. 'Started From the Lesser' by Drake
Drake is an enigma wrapped in a riddle wrapped in some other enigma wearing sweatpants. On the i hand: multipazillionaire hip-hop star/ladies' human/Lil Wayne-BFF who curses a lot. On the other: makes super-meta, hilarious, on-indicate videos like this ane from 2013, which mocks the very lifestyle it celebrates. Avoid overheating your brain on conundrums like this by only turning your stereo up really loud, hitching upwardly your depression-slung trousers and throwing some shapes.
61. 'Have on Me' past A-ha
Pop-idol pinups they may take been, simply the members of Norwegian trio A-ha likewise made dandy, genuinely inventive music in their mid-'80s heyday. The jewel in A-ha'due south crown, of course, is the dazzling debut unmarried 'Have on Me'. This synth-popular gem is chiseled similar a diamond, with a perfect keyboard riff and a melody that moves in and out of major keys only as singer Morten Harket'south phonation turns from desperate to hopeful and back again. Add in the trailblazing blithe video, and 'Accept on Me' became indelibly imprinted on the brain of anyone who saw it.
62. 'Wannabe' by the Spice Girls
Sure, at that place are probably 'better' Spice Girls songs – the disco update 'Who Practice You Think You lot Are', the Motown tribute 'Stop' – but this rollicking debut single still feels like an electric shock to the soul. Information technology'south a fearless statement of intent from a feisty v-piece who rewrote pop's rule book in the '90s by proving that girls could merits spaces traditionally occupied past the boys. If yous were there, y'all'll still retrieve every word – correct down to 'Zigazigah!'
63. 'I Wanna Dance with Somebody (Who Loves Me)' by Whitney Houston
In the wake of Houston's tragic decease over a decade ago, we heard this immortal jam, more than whatever other single by the pop queen, blasting at parties and confined, and it wasn't hard to come across why. A hit in 1987, 'I Wanna Dance with Somebody' embodies Houston as nosotros all want to remember her: carefree, upbeat and bursting with exuberant emotion. The song itself embodies all those qualities and endures as a quintessentially '80s dance-flooring masterpiece for the ages. You tin can't non beam when this one's on.
64. 'Here Comes the Hotstepper' by Ini Kamoze
Jamaican dancehall toaster Ini Kamoze burnt upwards clubs in 1994 with this irresistible groove, which has its roots in the 1964 Wilson Pickett hit 'Land of a Thousand Dances'. Check that vintage video and you'll meet from where the later unmarried gets its naa na na na naahs. However, 'Hither Comes the Hotstepper' has its own laid-back, deliciously funked-upward vibe, thanks to an obscenely fat bassline—not to mention the lyrics 'Extra-ordinary / Juice similar a strawberry.' The vocal hit the top of the charts in the U.S. after being featured in Robert Altman's style send-up, Prêt-à-Porter. All together, now: murderer!
65. 'Jump Around' by House of Pain
California hip-hop trio House of Pain's international hit single was produced by Cypress Hill's DJ Muggs, who deftly used samples of rhythm and blues icon Stubby Checker and Motown staple Inferior Walker & the All Stars. Merely never mind all that. Growing upwards, what was important about this song was what you lot did when you heard it. Forget the body roll and the butterfly, when 'Jump Effectually' comes on the speakers, it'due south fourth dimension to mosh.
66. 'It Takes Ii' by Rob Base and DJ E-Z Stone
Since 1988, this high-powered hip-hop jam from Harlem'south MC Rob Base and his turntable wingman, DJ East-Z Rock, has hyped up endless arenas, nightclubs and pool parties the world over. Its instantly recognizable sample of Lyn Collins' 'Retrieve (About Information technology)' inevitably gets the oversupply bouncing and shouting, 'Woo! Yeah!' in unison. Yet it'southward the song'southward, um, baser innuendos that lift information technology to the side by side stratosphere of party-playlist immortality. Because when you stride off the dance floor and begin your approach toward that honey you've had your eye on all nighttime, you'll be mighty glad that the object of your affection is withal breathlessly bustling the refrain, 'It takes two to make a affair become right / It takes two to make it out of sight.' Striking it!
67. 'N**gas in Paris' past Jay Z & Kanye West
Pusha T rejecting this massive Hitboy-produced vanquish might accept been for the best (co-ordinate to him it sounds like a video game) because the star power from the respective husbands of Kim and Bey turned the guaranteed banger into a veritable club anthem. And it's become a necessary party bonding activity, likewise: trashed guests inevitably screaming "that shit cray!" at each other and somehow withal mustering riotous laughter in response to that one Volition Ferrell Blades of Glory sample (did anyone really watch that movie?).
68. 'Rump Shaker' by Wreckx-N-Effect
In that location may exist more poetic paeans to the female posterior, but few volition get those glutes moving on the trip the light fantastic toe floor quicker than this New Jack Swing duo'due south hit virtually… well, check the title. Credit that saxophone sample lifted from the Lafayette Afro Rock Band or the tricky chorus almost wanting to 'zoom-a-zoom-zoom in your boom-boom,' simply either style, this early on-'90s ditty always lives up to its title.
69. 'Walk This Way' past Run-D.Yard.C. with Aerosmith
Still funky Steven Tyler and his Boston hard-rock road dogs might have been during their prime, the idea that Aerosmith could fill a dance floor without passing out on it during the afterward-party didn't happen until Jam Master Jay, Run-D.One thousand.C.'s slashing DJ, pulled the grooves clear off the vinyl in 1986. It's a genre-busting collaboration that nevertheless feels thrilling more than 35 years later on.
70. 'What Makes You Beautiful' past I Direction
The members of One Management may still have been fighting through their teen years when this rail was released, but they certain knew how to get people dancing. Step bated, Aaron Carter; this banger signalled a new generation of boy bands, bigger and better than always. Continue your fingers crossed Harry Styles slips it into the setlist on his next tour.
71. 'Da Ya Think I'1000 Sexy?' past Rod Stewart
Borrowing a chorus from Brazilian cult star Jorge Ben Jor's 'Taj Mahal,' Rod Stewart struck trip the light fantastic toe-floor gold at the tiptop of the 'Disco Sucks' era. Today, Ben Jor's still a cult hero, Stewart'due south still going potent, and this louche, seductive cut has long since transcended its guilty pleasure status.
72. 'Y.One thousand.C.A.' by the Village People
The widespread success of the Village People may exist the almost dramatic case of how gay culture went mainstream in the disco era. Dolled up in costumes that camped upward masculine archetypes, the quintet sang paeans to sailors, cops and macho men in lyrics carefully crafted to laissez passer. To those in the know, 'Y.M.C.A.' was a coded celebration of cruising hot guys at a public gym. But to the rest—dancing along to the chorus at weddings, embankment resorts and sports events around the globe—it's just a great excuse to shape your body into letters of the alphabet.
73. '1, 2 Step' by Ciara ft. Missy Elliott
Ciara and Missy Elliott team upward for this onetime-school, 'Planet Stone'–inspired hip-hop melody that'southward perfect in its minimally produced simplicity. Its laser stabs and handclaps echo the genre'southward electro origins without sounding like a history lesson. If only school were this much fun.
74. 'What I Like About You' past the Romantics
Less a conventional dance blast than a fizzy flare-up of all-American garage rock directly out of the Motor City, 'What I Like Well-nigh Y'all' has the kind of no-brainer verse, sing-along chorus, bratty attitude and no-nonsense backbeat (courtesy of singing drummer Jimmy Marinos) that makes resistance futile.
75. 'Whip It' past Devo
Akin to Poindexter and Booger throwing a improve shindig than the jocks in Revenge of the Nerds, Devo whipped out a total, hot party on this archetype synth smash from 1980. The video became an instant piece of pop-civilisation history every bit the band donned its trademark red energy domes and cofounder Mark Mothersbaugh snapped women's apparel off with a whip in a land reminiscent of the group'due south native Ohio. Take that, Ogre and Stan.
76. 'Direct Up' past Paula Abdul
Exit it to Abdul—a well-known choreographer before she began her singing career—to know what makes a perfect dance-party tune. Pulsating vanquish, check; funky bassline, bank check; earworm chorus, bank check and check. (Oh, oh, oh!)
77. 'Honey Shack' past the B-52's
Later a decade that saw the beehive-topped political party band enshrined in the college-rock pantheon—and dealt the group a crippling blow with the death of beloved guitarist Ricky Wilson—the B-52s roared back to their career peak with this ode to a 'little identify where we can become together.' Tin roof, rusted—what does information technology mean? Don't bother: This Chrysler'southward as big as a whale and information technology's about to ready sail.
78. 'Don't You Desire Me' by the Human League
The Human League's groundbreaking 1981 album 'Dare' helped conductor in the age of electropop—and the rails nigh responsible for that paradigm shift was 'Don't You Want Me'. But despite the song's obvious pleasures—its sauropod-size synth riffs and the chorus'due south devastatingly effective vocal hook among them—it'south a fleck strange that "Don't You Desire Me" has become ane of the earth'southward well-nigh played party tunes: Lyrically, information technology'due south the rather depressing tale of a gal who's outgrown a guy, and a guy who implies (somewhat disturbingly) that something bad volition happen if the gal doesn't come back. Probably all-time to gloss over the lyrics and enjoy that enormous chorus.
79. 'Rio' by Duran Duran
The ring described itself as Chic meets the Sex Pistols, but its bouncy sound was all its own: skittering drum beats, aqua-blue synth burbles and a galloping bassline courtesy of rex pinup John Taylor. Less a slice of '80s cheese than a operation fourth dimension machine to that decade, this song will add together gel to your hair, shades to your eyes and a sandy embankment beneath your feet.
80. 'Tell It to My Heart' by Taylor Dayne
The Long Island native built-in Leslie Wunderman sounds positively voracious on her 1987 signature hit. Few dance-pop classics experience more urgent or tearing than 'Tell It to My Heart'; yous can see that Dayne'due south been waiting her whole life to belt out lines like 'Body to body / Soul to soul / E'er experience y'all about.' The lyrics might read like bad student poetry, but blend them with unabashedly hammy '80s synths and a so-passionate-it's-a-little-scary commitment, and the result is a sonic Roman candle, blasting fireballs of fun onto the trip the light fantastic floor.
81. 'Heart of Glass' by Blondie
"'Heart of Glass' was one of the first songs Blondie wrote," Debbie Harry has been quoted as saying, "only it was years before nosotros recorded information technology properly. We'd tried it as a ballad, as reggae, but it never quite worked." Every bit a motorcar-tooled disco ode to lost love, featuring crystalline synths, a throbbing rhythm section and, floating to a higher place it all, Harry'due south icy-cool teen-dream vocals, the 1978 cut more worked—it slayed. And information technology still does.
82. 'Last Nite' by the Strokes
They may accept thrown us off the scent with their greaseballs-in-leather-jackets shtick, but ane of the Strokes' greatest achievements was reminding the world that stone & roll originally functioned every bit trip the light fantastic toe music. Few gimmicky songs brand us yearn for the days of the sock hop more than than the single that catapulted these hometown faves into the big time. Nitpick re: the 'American Girl' similarities all y'all want, but the combination of Julian'due south disaffected yowl, Albert and Nick's chirpy chords, Nikolai's humble throb and Fab's unflappable bounce yet carries a rare kicking-scootin' charge.
83. 'Tainted Love' past Soft Jail cell
Early '80s synth-pop rules – fact. Soft Prison cell, a U.K. duo comprising singer Marc Almond and beatsmith Dave Brawl, too rule – cheque out their greatest hits on Spotify for proof. 'Tainted Love', their indelible update of an onetime Gloria Jones melody, however slaps more than than forty years after it was released – fact. Altogether now: 'Take my tears and that'southward not nearly aaaaaalll.'
84. 'Take Me Out' by Franz Ferdinand
The stomping drumbeats and angular guitars of Franz Ferdinand'due south first striking drew comparisons to postpunk forebears like Gang of Four or Wire. Only the Scottish revivalists have a much poppier sensibility, and this 2004 track is a hook-laden toe tapper, sure to entice even your snootiest 'I don't dance' friend onto the trip the light fantastic toe floor.
85. 'Song ii' past Blur
Britpop's foremost ambassadors inverse their melody—quite literally—with their self-titled 1997 LP, embracing the crunchy guitars and lo-fi ethos of American grunge and indie rock that frontman Damon Albarn had one time railed confronting. Unsurprisingly, information technology led to the ring's biggest U.Southward. hit: 'Song ii', a catchy, ii-infinitesimal blast of Nirvana-esque riffs that became ubiquitous at stadiums and parties across the globe. (Simply please, don't refer to it as 'the woo-hoo song', we beg of you.)
86. 'Dancing in the Nighttime' by Bruce Springsteen
The only thing ameliorate than watching the video to this 1984 anthem—aye, starring a very dewy Courteney Cox—is dancing to the song yourself, equally you lot chugalug out the lyrics with all the passion you can muster: 'I ain't nothin' but tired / Man, I'thou just tired and bored with myself!' 'Dancing in the Dark' is besides one of the Boss's sexiest moments. 'Hey there baby,' he sighs. "I could use just a little assist." Extra points to anyone who knows what that book is that Springsteen'southward sittin' effectually trying to write.
87. 'Modern Beloved' by David Bowie
Before Nile Rodgers was bopping around with Daft Punk on 'Get Lucky', he was co-producing this gem from David Bowie's 1983 album 'Let's Dance'. There'southward a serious propulsion to this song, which makes it one of Bowie'due south most undeniable crowd-pleasers. The great hateful opens the tune with a iconic spoken-word fleck earlier hitting his unmistakable high notes and singing of the concept at hand: 'Terrifies me / Makes me party / Puts my trust in God and homo.' Well said, David, well said.
88. 'Girls Merely Want To Have Fun' past Cyndi Lauper
Weirdly plenty, 'Girls Just Desire to Take Fun' was originally written past a dude, Robert Take a chance, and sung from the perspective of a girl-crazy badboy. Cyndi Lauper revised the lyrics and re-recorded the song in 1983, inverting it into a girl-solidarity party canticle that remains timeless some 30 years later.
89. 'Fell in Honey with a Daughter' past the White Stripes
Jack and Meg White's 2002 striking was the first indicator that the Stripes were capable of a more polished, radio-friendly version of the raw garage-punk they'd previously perfected. (The ridiculously absurd, LEGO-filled video, directed by Michel Gondry, surely helped propel its popularity.) Put this on at a political party at present and watch every bit anybody around y'all immediately begins to pogo.
xc. 'Smells Like Teen Spirit' past Nirvana
The song that divers an era makes most statements about it seem trite. Those echoing opening chords became equally familiar to the MTV generation as Pogs and Hypercolor—with a tad more shelf life. As far as partying goes, what's in a name? 'Teen Spirit' is all virtually anger and angst. (Kurt Cobain was only 24 at the time of the song's release; he had a pretty good grasp on youthful malaise.) When you pop this 1 on at a bash, take a cue from the bros in the video's gym audition: Bang your head.
91. 'Don't Commencement Now' past Dua Lipa
Dua Lipa claimed a space on the pop A-listing with her superb 2020 anthology 'Future Nostalgia', a stylish drove of bangers that lived upwardly to its elastic title concept. 'Don't Start Now', the album's lead unmarried, is a defiant breakup song par excellence: all sass, attitude, and the irresistible audio of your confidence re-building. If information technology doesn't tempt your near reluctant friend onto the dancefloor, cipher volition.
92. 'Happy' by Pharrell
Know what'due south so not bad about this song? The fact that it's dedicated to simply being happy—it's not about finding bliss because of a specific reason—though, hey, if yous just got the task, kissed the daughter, canoed the Hudson, whatever, then that's awesome. Pharrell is celebrating joy for the sake of joy on this 2013 global chartbuster. 'Clap along if you experience like happiness is the truth,' he croons in a style that makes doing anything else seem completely ridiculous. And then go alee. Shake what you got. Plow that frown upside down. And savor every delicious move you make on the trip the light fantastic toe floor.
93. 'Blinding Lights' by The Weeknd
Too many '80s-inspired songs autumn into the trap of sounding like a weak pastiche. This euphoric 2019 effort from The Weeknd is very much an exception to the rule.Co-written with Swedish songwriting genius Max Martin, its synthy shimmer manages to experience retro and gimmicky at the same fourth dimension – a catchy sweet spot to it. Ed Sheeran, who dominated 2021 with his ain '80s-inspired bop 'Bad Habits,' was definitely paying attention.
94. 'Stone the Casbah' by the Disharmonism
This funky hit from the Clash's 'Combat Rock' LP was an anomaly—honestly, the one-time punk godfathers had pumped out an even more propulsive bassline for 'The Magnificent Seven' on its previous album, 'Sandinista!…' only nobody heard that sprawling iii-LP farrago, whereas 'Rock the Casbah', with its whiff of topical exotica, was inescapable thanks to MTV.
95. 'Super Freak' by Rick James
What is a political party if not an alibi to unleash your inner freak? Rick James's 1981 hit won't just get people on the trip the light fantastic toe floor; it volition accept them billowy off the walls. With ane of the catchiest basslines of all time, an irresistible vocal hook ('She'south a very freaky girl') and killer backup vocals from the Temptations, "Super Freak" volition have the unabridged political party on the footing trying to break-dance in no time.
96. 'All Nighttime Long' past Lionel Richie
The Commodores singer with the vox as smooth every bit an eel in oil released 'All Night Long' in 1983, and it still sounds perfectly crisp. Lookout man Richie's face low-cal up in the video as he sings, 'Fiesta, forever', and you'll know exactly what to do. He's known for being one of the nicest men in pop, and on this song his natural warmth and effervescence are utterly infectious.
97. 'Got to Give It Up' by Marvin Gaye
A boisterous, presumably bell-bottomed oversupply, gyrating on the dance floor of your imagination, tin can exist heard high in the mix. Take their whoops as your cue: Marvin Gaye supplies the cool falsetto and someone can be heard rocking the cowbell, but the prime directive here is to dance. When Paul Thomas Anderson needed a backdrop for Dirk Diggler's glory days in Boogie Nights, this is what he chose.
98. 'Pon De Floor' by Major Lazer
When 'Pon De Floor' get-go dropped, Major Lazer withal consisted of both Diplo and Switch—the latter trip the light fantastic-commander compatriot soon dipped out to focus on his solo stylings. On his own, Diplo's done pretty well (in 2015, Spotify announced 'Lean On' equally its nearly played runway ever) but the newly pop-ified bent he'due south taken with the project but tin can't match its dancehall-centered, dance-floor-shattering origins.
99. 'Lifestyle' by Rich Gang
Despite existence a rambunctious party tune, Rich Gang's celebratory ode to well-earned fame ('I did a lot of shit just to alive this hither lifestyle') coasts forth lightly on a sparse trounce of relaxed piano chords and sub-bass. The collected cool of it all still—and fifty-fifty if yous've fabricated little headway deciphering the actual lyrics to Thugger's mumble-rap chorus—information technology's hard to resist screaming along when you lot're wasted.
100. 'Maneater' by Hall & Oates
A No. 1 hitting in 1982 for the genre-bending Philadelphia 'rock & soul' duo Hall & Oates, 'Maneater' offers a alarm against a predatory femme fatale, set confronting a vaguely new wave and faintly ominous landscape of saxophone, drums and synthesizer. (The music video features multiple shots of a jaguar on the cruise.) Put the song on a party mix and at that place'due south a adept hazard that at to the lowest degree one person in omnipresence volition showtime vamping it up similar they're on RuPaul's Elevate Race.
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Source: https://www.timeout.com/music/best-party-songs
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